About

About Bright Wall/Dark Room

There are lots of sites about movies. Bright Wall/Dark Room is a different lens on film: no reviews, no hot takes, no hype, no movie news, no clickbait, no compromise, no “content,” no ads.

Bright Wall/Dark Room is an online magazine devoted to looking at what happens when we bring our whole selves to the movies. It’s about the relationship between films and individual human beings, between cinema and the business of being alive. Whether we’re watching in a theater or a living room, we’re each just a brain in a body looking at a bright wall in a dark room. BW/DR is where we go to talk about what happened there.

BW/DR is also a gathering place for writers and readers who want to look more humanly at film. We’re your old neighborhood video store, the one you miss because the clerks would talk for hours if you let them, riffing on films you’d heard of and recommending films you hadn’t. We publish work by filmmakers and cinephiles and film studies students, but also by comedians and novelists and painters and poets.

We seek out thoughtful analysis and wholehearted engagement. We’re a home for film writing that you won’t find anywhere else on the web: we’re not afraid to go long, to dive deep, to look close; to dig into filmmaking and film theory, but also to get messy and vulnerable and human, to explore nuance and mystery. Each month, we publish work around a theme, so we’re never slaves to the current release schedule or news cycle. We do publish work on new releases, but we also have the freedom to dig into all of film history: from Old Hollywood to New Hollywood, from German Expressionism to Italian Neorealism to the Hong Kong Second Wave. We also run longform interviews with filmmakers that feel like warm, human conversations, rather than hitting the familiar entertainment-news beats.

The goal is to engage with all that movies are, in fresh and interesting ways: with warmth and affection, with thought and care, with our brains and our hearts.

As more and more entertainment sites look for ways to maximize profits at the expense of writing and editing, there are fewer and fewer good homes for quality writing on the arts. We want to be one of them.

And we can only make it happen with your help, because we eschew all the traditional ways that sites like us make money. Because we believe there’s a better way.

Thanks for your support! If you’re looking to further support our ongoing mission, you can do so here.

Masthead

Chad Perman – Editor-in-Chief

Brianna Ashby – Art Director/Illustrator

Christopher Fraser – Operations Manager

Lauren Wilford – Senior Editor

Kelsey Ford – Senior Editor

Andrew Root – Senior Editor

Kara Shroyer – Associate Editor

Zosha Millman – Associate Editor

Elisabeth Geier – Associate Editor

Katherine Webb – Contributing Editor

Fran Hoepfner – Contributing Editor

Karina Wolf – Contributing Editor

FAQ

Billing

I’m a new subscriber! How do I sign up?

Head here!

How do I manage my subscription?

Head here and log in with the same username and password you used to sign up for a subscription.

What are your subscription plans?

Subscriptions are $2.99 a month, or $25 annually, and managed through Tinypass. Subscribing grants you full access to our entire back catalog, as well as complimentary ebook editions of every issue and instant access to new issues as they come out.

Alternatively, you can purchase ebook editions of individual issues for $2.99 each by clicking the “Buy ebook” link on each issue page. Regrettably, we can’t offer web access to individual issues at this time.

I subscribed on the new site, but I don’t have access. Help!

Contact us and we’ll figure out what’s going on.

I subscribed through Stripe – what do I need to do?

  • Nothing! We’ll be synchronizing Stripe account data to the new site, and you should have received an email prompting you to sign up here. If you haven’t, let us know.
  • If you subscribed at $1.99 a month or $19.99 annually, your lower price will remain the same for as long as you’re an active subscriber.

I’m a subscriber through Patreon – will I still have access here?

For as long as you’re a patron, you’ll still have access to the site. You should receive an email soon after pledging, prompting you to create an account here.

I should have access, but don’t. Help!

Get in touch and we’ll figure it out.

Ebooks

How do I get ebook editions of Bright Wall/Dark Room?

There are two ways. If you’re a subscriber, you’ll get automatic complimentary access to ebook editions of every issue we’ve ever produced – just look for the link that says “Download ebook” under the thumbnail of each issue over on our issues page. Alternatively, if you’re not a subscriber and just want to buy one issue, you should see a link to buy the ebook edition of the magazine – either here or on the Kindle store – in the same spot.

Okay, I’ve got it. Now how do I read it?

Depends on your preference! To read the PDF issue on your computer, you’ll need Adobe Acrobat Reader or a third-party PDF reader (Windows 10 comes with one built in, aptly called Reader). As for your handheld devices, here are a few useful links:

If you get really stuck, get in touch and we should be able to point you in the right direction.

Where did your Best Of issues go?

All of the content in those issues is elsewhere on the site, and as your subscription now gets you full access to our entire archive, we felt it didn’t make sense to keep them around. That said, if you previously purchased it and want the ebook edition, let us know and we’ll send it over to you!

How do I write for you?

Check out our Submissions page.