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From the archives


Amy Adams in Sharp Objects | art by Brianna Ashby
Sharp Objects is a slow-burning gothic horror about rage and shame and grief, one that explores—in meticulous, at times uncomfortable detail—what it feels like to live in both the midst and the aftermath of trauma. Read More
In the early 1990s, Al Pacino began a project that would span years and continents; a multi-level documentary chronicling his attempt to understand and convey how he felt about Shakespeare’s Richard III. Read More
Howl's Moving Castle | art by Tony Stella
In Howl’s Moving Castle, food is more than just a necessity—it sustains life, in every sense of the phrase: helping a body hold skin and sinew together, while acting as an expression of love and care. Read More
The meals in Gillian Robespierre’s Obvious Child and Landline are not extravagant as dining experiences, but they are meaningful as relational ones: small, comforting rituals that provide a moment of constancy amidst chaos. Read More
Harriet Andersson in Through A Glass Darkly | Criterion
Harriet Andersson’s contributions to Bergman’s oeuvre cannot be understated—her fearlessness about her body within a performance allowed her to create something both fierce and distinctive. Read More
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