As a narrative, Kieślowski's Red is often recursively and sometimes even reflexively understood. It’s a film of ellipses, of threads dropped and picked up until, suddenly, they are woven.
JoinedMay 26, 2017
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Brad Nelson is a writer living in Queens. Their writing has appeared in The Guardian, Pitchfork, and Spin, among other publications. They also play drums and sing in the band FAITH/VOID. They live with their two cats, Superbass and Retsina.
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