Where in previous summers Paul Simon’s Concert in the Park was a gleeful way to keep post-concert blues at bay between shows, now it’s a constant battle to try not to cry while listening to it. Read More
PositionAssociate Editor
JoinedSeptember 3, 2019
Articles6
Carrie Courogen is an Associate Editor at Bright Wall/Dark Room. She is a New York-based culture writer and editor, whose work has appeared in NPR, Pitchfork, Vanity Fair, Vice, and PAPER Magazine, among others. She is on a quest to introduce all of her friends to Elaine May’s Ishtar (current count: 6).
On Judy Berlin (1999) and Madeline Kahn's best, most nuanced, and final performance. Read More
Mike Nichols' Working Girl, at its heart, is a film that examines the nuances of the intersection of class and feminism, packaged slyly in the form of a light-hearted, girl power-flavored workplace comedy. Read More
Book Club plants itself firmly in a chaotic-good alignment chart position, full of well-meaning spirit that occasionally goes completely off the rails. Read More
Actress and director Lee Grant reflects on her 70 year career in Hollywood. Read More
I love difficult women. I like ladies who talk back with abandon, the ones who don’t give in without a fight, the headstrong, selfish broads with hearts of gold. Read More