The reporters in Spotlight, finally seeing a grand old institution for the corrupt monster that it is, channel their newfound anger into shining a light in the darkness.
PositionOperations Manager
JoinedMay 9, 2017
Articles6
Charlie Bartlett, named for its protagonist, has nothing to do with my life, and yet it feels uncomfortably personal to watch again, seven years after I first saw it.
The Savoy had been struggling for years but when it closed, I felt sadder than I expected. It’s the quiet silencing of an institution that’s forever bound up in my adolescence, the severing of a clean through-line from who I was then to where I am now.
My formative years didn’t follow the simplicity of a Pixar movie. Watching Monsters University, though, is more about grasping a principle – that, more often than not, the way you approach your past is more flexible than you might think.
Instead, Don Jon shows the pathology of addiction around a substance that is rarely conceded as addictive in the first place.
Contained within Good Night, and Good Luck is the sense of a turning point.
