Céline Sciamma’s Petite Maman manages to recognize the rich and complex interiority of children—a rarity in art, especially art made by and for adults; it simply depicts children as children know themselves to be.
JoinedOctober 7, 2020
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Alfonso Cuarón’s Children of Men is about hope lost, but it’s also about hope willfully recovered.
Andrew Ahn’s Driveways is a difficult film to pin down, precisely because there’s so little in it to process, demystify, or explain. There are no set pieces or battle scenes, no dramatic plot twists or betrayals. Instead, it captures life in its simplest, most ordinary forms.
Quentin Tarantino's Inglourious Basterds operates on two levels for its entirety; it both imagines a different story and examines the ones we’ve already told.
