Fargo is an outlier in the world of neo-noir, protecting its heroes by ending their stories and defiantly leaving their purity intact as though to prove that happy endings are possible. Read More
PositionSenior Editor
JoinedMay 27, 2017
Articles35
Comments1
Ethan Warren is the writer-director of the independent feature film West of Her. He lives on the south shore of Boston with his wife, Caitlin, and their children.
It would be natural to assume it’s impossible to recreate Harold Pinter’s effects on-screen. What cinematic setting could ever replicate the feeling of an ordinary space that simultaneously exists in a howling metaphysical void? Read More
Amber Schaefer’s It's Been Too Long is the erotic parody we need and deserve in 2019. Read More
Martin Scorsese's Conjuring the Rolling Thunder Revue is the life story of the Bob Dylan who mysteriously reemerged onto the Greenwich Village scene of 1975. Or, at least, it’s a story of that Bob Dylan. Read More
The Heartbreak Kid as Elaine May’s Master Class. Read More
Watching The World’s End today, separated from my first viewing by six years that feel more like a lifetime, I don’t see a thrilling and heart-wrenching story. Instead, I see one that’s profoundly sad. Read More
Once Upon a Time...in Hollywood, a melancholy elegy with a fairy tale at its core, is a work of surprises, from an unconventional structure to stylistic flourishes to a cartoonishly outrageous denouement. Read More
The Chekhovian ideal is embodied perfectly by Too Long at the Fair, a short film that surveys the vast spectrum of human experience—from frustration to joy, hedonism to shame, regret to awestruck nostalgia—and synthesizes the whole mess into just under 15 minutes of precise and specific storytelling. Read More
When trying to sell someone on the merits of Under the Silver Lake, I tend to fall back on the same phrase: “It’s a movie that’s having a nervous breakdown.” Read More
In Room 140, director Priscilla González Sainz supports her subjects with an unobtrusive and subtly compassionate eye, creating a vital work of art and an essential activist document. Read More
Around the margins of their sales work, the mag crew in American Honey lives a hedonistic existence, chasing impulses and urges, expressing themselves physically when their verbal powers fail them. Read More
In just under ten minutes of wordless story, Gabrielle Lissot’s Jukai shows us how our hardest-won lessons can become beams of light to illuminate the path forward for one another, and how even as the threads of our trauma form a tangle of sorrow, it’s a tangle that can be organized and reframed into our personal narrative, a story we can make use of to shelter and guide those that come after us. Read More