JoinedMay 27, 2017
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In Marielle Heller’s A Beautiful Day in the Neighborhood, Mr. Rogers enacts the opening costume-change ritual. There’s something mythic about the transformation, something primal. This is what Mr. Rogers does: he changes his outfit. And thus, he becomes Mr. Rogers.
Miloš Forman’s Amadeus is the story of a rivalry, and it’s easiest to describe that feud as occurring between Salieri, the genteel craftsman, and Mozart, the buffoonish genius. But, more precisely, the feud is between Salieri and God, on whom he pins the blame for his torment.
The now of Joan Micklin Silver’s 1977 masterpiece Between the Lines is a major concern for the characters. What is this generation’s identity now, another decade into adulthood and another decade removed from the days in which they believed they might actually change the world?