It's hard to watch Annihilation in a Chicago winter and not feel it on a molecular level.
The Finnish auteur’s latest comedy charts the interwoven experiences of two men from drastically different backgrounds, each looking to improve their lots in life.
Crafted as though from everyday observation and fantastic dream, About Endlessness marries the magical and mercurial, the simple and surreal.
It seems weird to have to defend laughing, but that’s where we’re at.
For the first time, Paul Thomas Anderson has produced a film distinguished not merely by his characteristic fascination with the world but by a deep love for it.
The Green Knight seeks not simply to retell or reimagine the poem’s story, but to interrogate or cross-examine the poem itself: to cast a shadow of postmodern skepticism over the original telling, and indeed all of Arthuriana.
Not all movies are cinema; The Holiday is certainly not cinema—but it is upbeat and kind and romantic and Jude Law is just, like, extremely hot here.
Here is what happens when you let the darkness win.
On watching Richard Linklater's Everybody Wants Some!!
After a long and stressful weekend, I went to go see Hell Or High Water by myself, and it absolutely gutted me.
It would be natural to assume it’s impossible to recreate Harold Pinter’s effects on-screen. What cinematic setting could ever replicate the feeling of an ordinary space that simultaneously exists in a howling metaphysical void?
