Bright Wall/Dark Room was initially founded on the floor of my living room in the summer of 2009, as I was counting down the days until the birth of my second child. Read More
Perhaps most central to The Place Beyond The Pines is the feeling of compulsion: that each man falls neatly into a dilemma that will undo him. Read More
The small tender heart of Mad Men isn’t obvious in the plot lines. Read More
Eternal Sunshine of the Spotless Mind is a puzzle of a film, a fantastic Rubik’s Cube of memory, love, loss, and regret. Read More
“I read this article that said all the Italian workers at Cinecitta are saying, like, ‘He’s the Maestro, he’s Fellini, come back to life!’” Read More
Lost Highway is no exception to Lynch’s disregard for linear and/or comprehensible story lines. And yet it solicits more curiosity than frustration. Read More
Yet with Tokyo Story, I didn’t cry—I didn’t even get misty. Instead I laid awake that night, eyes wide, deep in thought. Read More
Last night at 11:30, I turned on the TV and Dead Poets Society was just starting. I ended up watching it all the way through, until 2 a.m. Read More
It is December of 2012, the 22nd anniversary of “The Home Alone Kid.” Read More
You will find...a pouch containing the ticket stubs from all of the concerts my husband and I have seen together, as well as the ticket stubs from all of the movies. Read More