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Issue 32: The Unloved

February 2016

Letter from the Editor

Chad Perman·
Issue 32: The Unloved
Loving a mostly unloved thing is one of the quieter joys of movie fandom.
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The Grace of Keanu Reeves

Angelica Jade Bastién·
Issue 32: The Unloved
Keanu Reeves missed his calling as a silent film actor.
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Pop Apocalypse

Brad Nelson·
Issue 32: The Unloved
In Detention, time doesn’t pass—the characters move through it and alter its substance.
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Save Yourself

Taylor Hine·
Issue 32: The Unloved
In defense of Cameron Crowe's much-maligned film, Elizabethtown
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Concerning Hobbits

Andrew Root·
Issue 32: The Unloved
What I wanted The Hobbit to be, and what that says about me.
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If You Wanna Be My Lover…

Sophia Cross·
Issue 32: The Unloved
If realizing that you love the same movie is an instant connection, realizing that you love the same critically panned romantic comedy is an instant kinship.
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Muscle Car Emotions

David Nilsen·
Issue 32: The Unloved
Bellflower is a film of raw, metal-rattling emotional intensity, one that cleverly subverts the totems American masculinity.
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Drink and a Movie: The Man Who Knew Too Little

Alissa Wilkinson·
ColumnsIssue 32: The Unloved
I love a film that stars the world’s biggest kid, Bill Murray, bumbling his way fearlessly through a string of terrifying situations.
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Now Playing: 45 Years

Fran Hoepfner·
Issue 32: The Unloved
We are all so afraid to be hurt by something we cannot change.
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The Bomb

Arielle Greenberg·
Issue 32: The Unloved
On Jill Soloway's Afternoon Delight (2013)
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