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Issue 33: The Coen Brothers

March 2016

Letter from the Editor

Chad Perman·
Issue 33: The Coen Brothers
The Coen Brothers, who have been making movies for over thirty years now, are master craftsman; say what you will about the many films they’ve made, but each has an unmistakable, distinctive authorial beat.
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This is a True Story

Kelsey Ford·
Issue 33: The Coen Brothers
What does it mean to be a good person? Is it a small thing, or is it big? Is it enough to try?
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A Tourist with a Typewriter

Stephen Sparks·
Issue 33: The Coen Brothers
A film as ambiguous as Barton Fink invites multiple readings.
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The Quare Fellow

Karina Wolf·
Issue 33: The Coen Brothers
Miller’s Crossing is a tribute film, a mafia movie made of noir’s most elegant frames: Scarface, The Conformist, Le Samourai, and The Godfather refashioned in the brothers’ comically bloody hand.
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Film Noir as Black Comedy

Kevin Curtis·
Issue 33: The Coen Brothers
More interested in mise-en-scene than humanity, Blood Simple is a damn good thesis project that mostly succeeds.
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A Brief Defense of Capitalist Fun

Fran Hoepfner·
Issue 33: The Coen Brothers
The Coen Brothers' Hail, Caesar! is a movie about movies.
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Three Times I Lusted After Donny Kerabatsos

Emma Stefansky·
Issue 33: The Coen Brothers
Donny is by no means The Big Lebowski’s most important character. It’s the Dude’s movie—but Donny’s purpose is to give the film its heart.
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Hunt Your Dreams To The Ends Of The Earth: Life Advice From Anton Chigurh

Hallie and Nick Bateman·
Issue 33: The Coen Brothers
So many great people’s words have changed my life, and perhaps now mine will change yours.
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Drink and a Movie: Inside Llewyn Davis

Alissa Wilkinson·
ColumnsIssue 33: The Coen Brothers
There is only one appropriate drink to accompany a much-deserved rewatch of Inside Llewyn Davis, especially if existing feels rough and you need something a bit stronger than a good night’s sleep.
Read More

Mattie Ross

Arielle Greenberg·
Issue 33: The Coen Brothers
On True Grit (2010)
Read More
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