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As in a dream, where we find ourselves existing in the middle of a moment without questioning its origin, so begins Paris, Texas.
When I was younger, Planes, Trains and Automobiles felt like a peek into this secret world of men that I knew so little about.
Sideways reminds us that every day there is a choice: remain stuck in the false allure of the past or embrace the truth of the present.
The Muppet Movie, like all truly great art, focuses myriad points of anguished thought and feeling into a single beam of light to demonstrate, with a simplicity that belies its depth, its own magnificence.
Towards the end of The Vanishing, I began to feel sick to my stomach. I wanted to know what had happened to Saskia, but I was also afraid to know.
For a 75-year-old movie whose biggest plot point (and joke) hinges on the sexual inexperience of its central female character, It Happened One Night is still remarkably fresh.
Gus Van Sant's My Own Private Idaho is beautiful, liminal, disorienting—a film full of references, allusions, and visual poetry.
What we hear, what we see in Until The End Of The World is a commemoration of love, renunciation and grief, an elegy for time on earth.
The only secret is knowing—in your bones, in the sinew that winds around them and the blood that flows above them—that you are good enough.