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Issue 54: Home

December 2017

Starting Out: Beginners

Jonathan Mahon-Heap·
Issue 54: Home
How do you make anywhere home, if it never existed?
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The Cold Heart of Hygge: Joachim Trier’s Thelma

George Hardy·
Issue 54: Home
Thelma has left home, but home has not left her.
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Working From Home in Risky Business

Brian Brems·
Issue 54: Home
Early in the film, Cruise is a boy home alone, playing with his toys. By the end, he's an '80s man through and through—primed and ready to dominate in Reagan’s America.
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This Must Be the Place: Home in Ang Lee’s The Ice Storm

Katherine Webb·
Issue 54: Home
In The Ice Storm, Ang Lee invites us to know his characters by letting us live with them, walk the halls of their homes, and lay in their beds.
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We Are Here to Ruin Ourselves

Caity Mans·
Issue 54: Home
"The thing Moonstruck lets you walk away feeling is: who cares. You find your person and then you figure it out."
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Why Grave Decisions is a Modern Heimatfilm

Roxanne Sancto·
Issue 54: Home
In Grave Decisions, the village does much more than help to raise its children—it becomes the very definition of home.
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What’s Left Behind: An Interview with Sofia Bohdanowicz

Zack Miller·
Issue 54: Home
"Life is really delicate and mysterious and swift and can take you out at a moment’s notice. I want to communicate that through the traces left behind."
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I Won’t Forget to Remember You

D.L. Mayfield·
Issue 54: Home
D.L. Mayfield on Home Alone 2: Lost in New York, 25 Years Later
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Guy Maddin’s Home Movies: An Exploration in Eight Chapters

Ethan Warren·
Issue 54: Home
There’s sorrow and pain all around us, but in Guy Maddin’s movies, there’s no way to live on except to recognize it, accept it, and build a life that fits alongside.
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Little Women (1992) | art by Tony Stella

Home Is Where The Hurt Is

Asher Gelzer-Govatos·
Issue 54: Home
Gillian Armstrong's Little Women recognizes that a truly strong home stays with us even as we leave it, that the changes in life’s seasons cannot diminish the inheritance we carry with us.
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