Harriet Andersson in Through A Glass Darkly | Criterion
Harriet Andersson’s contributions to Bergman’s oeuvre cannot be understated—her fearlessness about her body within a performance allowed her to create something both fierce and distinctive. Read More
Persona, 1966 (Ingmar Bergman) | Bright Wall/Dark Room
Criterion’s about to release the most complete collection of Bergman films yet. It’s a great opportunity to throw out the clichés and invite new perspectives. Here at Bright Wall, we’re taking the whole month to do just that. Read More