The Lobster (2015) | A24
If this is a list, let it be a syllabus, a series of entry points joined by common questions: What does it look and sound like to understand your life, previously envisioned as exclusively “ahead,” as incrementally, but increasingly, behind? What can a moment of emotional accuracy accomplish? What imperative pleasures does meticulousness afford?
Force Majeure (2014) | TriArt Film
In late 2014, I walked into a movie theater at 9 in the morning to watch Force Majeure at a film festival in Belgium, running on a combination of jetleg and a strong Americano. The movie’s subtitles were in French only, and mon français est bon mais pas super. Still, I sat enrapt, dumbfounded and aghast.