Neither BoJack Horseman nor the plays of Henrik Ibsen tell stories about magic, but the ways in which creator Raphael Bob-Waksberg has woven the playwright into his show is a narrative trick as good as any.
Instead of taking issue with the facts of what Frank Sheeran tells us, The Irishman unravels the way he positions himself within his account.
Whenever I put on I Think You Should Leave, its bedlam feels like a weighted blanket—a brief and soothing respite from the horrible truths of the outside world.
The way we experience movies shapes the way we experience life, and to experience a movie like The Beach Bum, to ingest and absorb this much giddy existential gratitude, strikes at least this viewer as quite a blessing.
Pedro Almodóvar's Pain and Glory is a film unapologetically about films, where the subject is equal parts passion and profession, addiction and therapy.
Queer people, refugees, those of us displaced from the linearity of the present who love people and places long gone: we’re always time traveling. We journey between the possible and impossible by way of memory, and art emerges in the crossing.
Honey Boy and Doctor Sleep bleed from the same heart, an intimate diptych about abused boys who grow into men haunted by and reaching for their fathers.
There was no shortage of enthralling female protagonists in 2019, many in films much more engaging than It Chapter Two—but Beverly Marsh is the one I keep coming back to.
Kelsey Ford on murder mysteries, gentleman sleuths, and Rian Johnson's Knives Out.
A Journey Through The Funky Fanfare of Once Upon a Time…in Hollywood
