First Reformed and The Good Lord Bird can best be linked by a common, disheartening truth: the more things change, the more they stay the same. Read More
Dick Johnson Is Dead wisely holds the mystery of human mortality with a generous open hand, affirming our pain while reminding us of grace. Read More
Along with being a damn entertaining ride, an understanding of the vital intimacy between women makes Emerald Fennell’s Promising Young Woman feel gorgeously, confrontationally female. Read More
In His House, the spirit haunts, inhabiting space the same way a thought takes up residence in the mind. Worry, fears—these are ghosts. There and not there. False and yet very real. Read More
It’s not important to distinguish what is truth and what is fiction in Crestone; the collapsing of these boundaries is what gives Marnie Ellen Hertzler's documentary the same sense of apocalypse we've felt this past year, perceptively real in its feeling of unreality. Read More