On our latest mini-episode, Chad and Veronica look at The Cameraman (1928), reflecting on the impossible beauty and precision of Buster Keaton, bodies in motion, and a pantomime scene at Yankees Stadium.
Your mission, if you choose to accept it: we’re talking across Mission: Impossible – Dead Reckoning Part One (2023), Mission: Impossible – Fallout (2018), and Mission: Impossible (1996) with the brilliant Vulture/New York Magazine film critic, Bilge Ebiri.
This month, we're chatting about how Todd Haynes’s Safe transposes the female ennui of Antonioni’s Red Desert to the sherbert interiors of Sherman Oaks, CA.
This month, we’re proud to feature the guest editor of our June issue, poet Spencer Williams, in conversation about a pair of films that hearken to our theme of trans cinema: Canadian Billy Tipton doc No Ordinary Man and the incendiary short American Reflexxx.
Welcome to another edition of The BW/DR Podcast: Frame 25, our new series of bite-sized podcasts. This month: the relentlessness and romance of Paul Thomas Anderson’s Punch Drunk Love (2002), a movie so pretty, we just want to smash it.
Joining us this month to wax rhapsodic about Katharine Hepburn is film professor, author, and Hepburn devotee Kyle Stevens.
Welcome to our new podcast series in conversation with, and sponsored by, our friends at Galerie. Every month, we’ll pick a film and zoom in on a single moment to better see the whole. This month: Věra Chytilová's Daisies (Sedmikrásky).
On this month's show, Karina Wolf joins us to discuss Wings of Desire, the essential decency of Bruno Ganz, Peter Falk’s warmth, transformative romance, whether angels have grandmas, Henri Alekan’s dignifying vision, Wim Wenders’s lack of strategy, how particulars turn universal, and more.
On the latest episode of the podcast, we’re joined by ace writer and admitted baseball enthusiast Frank Falisi to run the numbers on Bennett Miller’s Oscar-nominated ode to analytics, Moneyball (2011).
For our annual fashionably late “Best Of” issue, we’re looking at a 2022 highlight: Charlotte Wells’s staggering debut feature Aftersun, with film critic, author, and educator Adam Nayman.
December means one thing: Happy Cruisemas, from our home to yours. This month we welcome back special Cruise correspondent Elizabeth Cantwell to discuss Cameron Crowe’s Vanilla Sky. Surrealist rom com or indulgent puzzle film? Flop or parable?
