Joining us this month to wax rhapsodic about Katharine Hepburn is film professor, author, and Hepburn devotee Kyle Stevens.
Welcome to our new podcast series in conversation with, and sponsored by, our friends at Galerie. Every month, we’ll pick a film and zoom in on a single moment to better see the whole. This month: Věra Chytilová's Daisies (Sedmikrásky).
On this month's show, Karina Wolf joins us to discuss Wings of Desire, the essential decency of Bruno Ganz, Peter Falk’s warmth, transformative romance, whether angels have grandmas, Henri Alekan’s dignifying vision, Wim Wenders’s lack of strategy, how particulars turn universal, and more.
On the latest episode of the podcast, we’re joined by ace writer and admitted baseball enthusiast Frank Falisi to run the numbers on Bennett Miller’s Oscar-nominated ode to analytics, Moneyball (2011).
For our annual fashionably late “Best Of” issue, we’re looking at a 2022 highlight: Charlotte Wells’s staggering debut feature Aftersun, with film critic, author, and educator Adam Nayman.
December means one thing: Happy Cruisemas, from our home to yours. This month we welcome back special Cruise correspondent Elizabeth Cantwell to discuss Cameron Crowe’s Vanilla Sky. Surrealist rom com or indulgent puzzle film? Flop or parable?
Veronica and Chad are joined by writer and Powell's Books managing editor Kelsey Ford to talk about Pedro Almodóvar’s "wildly tender" exploration of autobiography and artistic process, Pain and Glory.
On this very special episode of the pod, Veronica sits down with beloved critic Fran Hoepfner to talk highlights of the 60th New York Film Festival, which they both attended last month, including Tar, Triangle of Sadness, Armageddon Time, All the Beauty and the Bloodshed, Decision to Leave, Stars at Noon, Showing Up, and more.
For our B-Movies issue–just in time for spooky season–we’re casting an eye back toward RKO darling Val Lewton and director Jacques Tourneur’s Cat People (1942), one of the studio’s most successful forays into low-budget, low-runtime horror, with film critic and curator Miriam Bale.
This month on the show, we’re doing a little time traveling of our own. On the heels of the growing buzz for Rian Johnson’s new genre love letter Glass Onion, we’re discussing his 2012 sci-fi thriller, Looper.
This month, we're waxing ecstatic about the humor and humanism at the heart of Elaine May's Ishtar. We match May’s compassion for the brashly stupid Chuck and Lyle (Dustin Hoffman and Warren Beatty, respectively) with special guest Frank Falisi, who lays out his theory that Ishtar is actually a high musical à la Vincente Minnelli.
This month on the show we’re talking one-on-one about Francis Ford Coppola’s The Conversation through the lenses of surveillance and seclusion, Gene Hackman and Walter Murch, Catholic guilt and cool jazz.
