This month on the podcast, we discuss Luca Guadagnino’s 2009 melodrama I Am Love with author, critic, and Wesleyan film professor Lisa Dombrowski.
Our pilot episode is here! Join hosts Veronica Fitzpatrick and Chad Perman as they talk through a perennial BW/DR staff favorite, Moonstruck (1987), with special guest Zosha Millman.
This month on the podcast, we’re at the juncture of maximalism and mid-century modern, tackling Peyton Reed’s rom-com Down With Love with special guest Fran Hoepfner.
This month on the show we’re talking one-on-one about Francis Ford Coppola’s The Conversation through the lenses of surveillance and seclusion, Gene Hackman and Walter Murch, Catholic guilt and cool jazz.
To salute our May theme, Chad sits down with deputy cohost Fran Hoepfner and movie and music writer Sydney Urbanek, to discuss the greatest initially-PG-rated movie of all time(?): Miloš Forman’s 1984 Amadeus.
Break out the tissues: this month on the show Veronica and Chad are swapping a medley of their most memorable, formative movie scenes and moments.
Lock the door: for our April devotional to Paul Newman, we’re revisiting Cat on a Hot Tin Roof with Vulture critic Roxana Hadadi.
This month on the podcast, we're joined by renowned pickle man enthusiast and Elaine May biographer Carrie Courogen to discuss Joan Micklin Silver’s intergenerational NYC rom-com, Crossing Delancey (1988).
Join co-hosts Veronica Fitzpatrick & Chad Perman, and returning special guest Zosha Millman, as they talk their way through Mike Nichols' darkly complex and cinematic battle of the sexes.
This month on the show, we’re diving deep into Jane Campion’s The Power of the Dog with film critic and Quorum (Film Quarterly) editor Girish Shambu.
This month on the show, we're joined by poet, educator, and original BW/DR co-conspirator Elizabeth Cantwell to discuss Stanley Kubrick’s (now) beloved psychosexual Christmas thriller, Eyes Wide Shut.
This month on the show, we sit down with Travis Woods—contributing editor & erotic thriller aficionado—to talk through a movie he considers one of the "icons of the genre," the 1993 Sharon Stone/William Baldwin film, Sliver.
