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Sing About Your Own Time

Robert Daniels·
Issue 107: Sex, Drugs, and Rock & Roll
While I'm Not There features several inspired leaps, few are as audacious as reimagining Bob Dylan as a young African American kid. 
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Darlin’ Don’t Refrain

Gabe Bullard·
Issue 107: Sex, Drugs, and Rock & Roll
“November Rain” is more than a music video. It’s every idea that existed in hard rock in the late ‘80s and early ‘90s compressed into nine minutes.
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Almost a Love Affair

Robert Stinner·
Issue 107: Sex, Drugs, and Rock & Roll
While fictionalized accounts of rock stars' sex lives and personal relationships are often sensational, The Hours and Times distinguishes itself as a small-scale, conversational film, one that centralizes an ambiguous relationship.
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Episode #11: Cat on a Hot Tin Roof (1958)

Bright Wall/Dark Room·
Issue 106: Paul NewmanPodcast
Lock the door: for our April devotional to Paul Newman, we’re revisiting Cat on a Hot Tin Roof with Vulture critic Roxana Hadadi.
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The Ballad of Cookie Mueller

Claire Mullen·
Issue 107: Sex, Drugs, and Rock & Roll
Using humor and goodwill, Cookie Mueller drafted her own terms for navigating life within a misogynistic society.
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Josie and the Pussycats is the Most Prescient Movie Ever

Kellie Herson·
Issue 107: Sex, Drugs, and Rock & Roll
In spite of the Total Request Live and low-cut bootleg pants of it all, Josie and the Pussycats captures—and then eviscerates—the bizarre contours of early-2020s culture with more clarity than any piece of contemporary media. 
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I Don’t Wanna Quit

Christian Craig·
Issue 107: Sex, Drugs, and Rock & Roll
What makes Alex Ross Perry’s Her Smell so refreshing is its admission of recovery as a continued effort.
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Lord Help Me, I Can’t Change

Frank Falisi·
Issue 106: Paul Newman
Butch Cassidy and the Sundance Kid frustrates me like family.
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“I Wonder What Happened to the Oneders”: Redrawing the One-Hit Wonder in That Thing You Do!

Olivia Rutigliano·
Issue 107: Sex, Drugs, and Rock & Roll
That Thing You Do! gleams with friendliness, gladness, soulfulness—the kind of personable perfectionism of a homespun masterwork.
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On Myth & Sid and Nancy

Dorothy Bendel·
Issue 107: Sex, Drugs, and Rock & Roll
We have mythologized Sid and Nancy because we need to make sense of senselessness.
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Just One Look

Calvin McMillin·
Extras
The Crimson Kimono is not a typical mystery; instead, it uses the conventional trappings of the hardboiled detective story to explore a taboo topic for its time.
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The Entertainer

Fran Hoepfner·
Issue 106: Paul Newman
We meet Newman's character at a disadvantage in The Sting, but because this is Paul Newman, and we know Paul Newman, it’s more than evident that The Paul Newman Show is about to begin.
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