The great feat of Gangs of New York is to set itself against familiar versions of American mythology by making American history alien, and, therefore, opening up new perspectives on it. Read More
The Fall is the product of people who throw themselves into the creation of fictions that reflect their own lives, even if those reflections are unintentional, even if each person is really trying to forget about the kind of pain that feels like it will last forever. Read More
Fuses is a labor of love, but it’s Schneemann’s labor that’s often overlooked; the film isn't solely a “diaristic indulgence"—an accusatory phrase levied by male filmmakers—but an immersive creative experience. Read More
Book Club plants itself firmly in a chaotic-good alignment chart position, full of well-meaning spirit that occasionally goes completely off the rails. Read More
The beauty of a spectacle like Riverdale is that it’s the Tom Cruise of TV, skewing wildly in quality and influence, but never once doubting itself. Read More
Tron: Legacy's lasting reputation is mostly that of a flashy action blockbuster, with plenty to show and little to say. But the film's unique visual aesthetic elevates it a level beyond similar films of its kind. Read More
A Journey Through The Funky Fanfare of Once Upon a Time…in Hollywood Read More
I frequently took my mental temperature after this year’s Sundance screenings, searching for symptoms of that dreaded ailment, festival fever. I’ve fought mightily to maintain critical detachment, but it bears acknowledgement that the following assessments were made during one of the most emotionally tumultuous weeks I can remember. Read More
Queer people, refugees, those of us displaced from the linearity of the present who love people and places long gone: we’re always time traveling. We journey between the possible and impossible by way of memory, and art emerges in the crossing. Read More
Midnight Kiss is a horror film for the age of Mayor Pete, imagining a self-cultivated gay emptiness at the turn of the decade. Read More
Neither BoJack Horseman nor the plays of Henrik Ibsen tell stories about magic, but the ways in which creator Raphael Bob-Waksberg has woven the playwright into his show is a narrative trick as good as any. Read More
There’s a question that has long been my personal riddle of the sphinx: what is “a Sundance movie”? Read More