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Cary Grant

I Can’t Go On Killing Nice Kids Like That

Sarah Shachat·
Issue 63: Work
Cary Grant and Jean Arthur in ONLY ANGELS HAVE WINGS | Columbia Pictures
Part of the work of being human is finding ways to deal with the fact that we’re not going to be human for very long. Defining yourself by what you do, and the professionalism with which you do it, is the solution that Only Angels Have Wings puts forward, and it’s a hard one to argue with.
Read More

Spies Like Us

Karina Wolf·
Issue 30: Alfred Hitchcock
As a director, Hitchcock liked to toy with certainties—emotional, sensory, and moral—and perhaps the smartest dramaturgical tack he takes in Notorious is to make Ingrid Bergman a fallen woman.
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You Are What You Do

Sheila O'Malley·
Issue 3: Media
Despite all of its hilarity and slapstick, Howard Hawks' His Girl Friday has a serious, dark heart.
Read More

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