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Chantal Akerman

Tales of Ordinary Sadness: Melancholy in The Cinema of Chantal Akerman

Joseph Earp·
Issue 46: Profiles
Chantal Akerman’s films make their great humanist case simply by existing. Her characters do not wax poetic about their plight, or launch into monologues about the tragedy that defines them. Instead, they live. Read More

Twitter

  • "Now, of course, I’m aware that the thin line between laughing and crying is the only real laughing there is." -… twitter.com/i/web/status/13510…

    About 7 hours ago

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