Silence and sentiment. Emotion and fear. The haggard, inconstant flashes of beauty. —The Great Beauty (Paolo Sorrentino, 2013) hen Christopher Nolan mapped the future of film earlier this year, he thought of format and presentation, new technologies and special features, but he said little about the types of films we’d...
“I read this article that said all the Italian workers at Cinecitta are saying, like, ‘He’s the Maestro, he’s Fellini, come back to life!’”
This is the work of The Leftovers, The Americans, and Rectify, three TV series that treat the total reaction, and not simply the doctrine.
A look at the Indiana Jones films through the eyes of Marion Ravenwood
The beginning of 2014 could not have been metaphorically kinder to me. The morning of January first, I made a continental landing on Antarctica. I climbed an untouched, pure white glacier and perched on a rock at the top. An iceberg calved and bounced into the bay beneath me. A...
There are very few sex scenes made for skin-hungry female eyes. Such a thing is not supposed to exist. We are not supposed to exist.
Growing up with, and connecting through, '80s comedies.
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What's Fran watching these days?
Zombie films always held a special place in my childhood.
Christian Slater is binary. He is both a one and a zero. There is him, then there is the him inside him.
A grapefruit is never dull; on the contrary, it’s often the center of attention.