George Cukor's Holiday understands that money itself isn’t some darkly moral force in the world—the relentless pressure to produce is.
Hepburn and Grant tumble toward happy endings through chaos and adventure, misunderstandings and trickery, all with an effortless grace.
Not all movies are cinema; The Holiday is certainly not cinema—but it is upbeat and kind and romantic and Jude Law is just, like, extremely hot here.
