Le Retour de Martin Guerre

The Widow’s Sexual Peak

Eleanor Cummins·

Issue 72: Thirst Traps

Despite the widow’s omnipresence in society, she remains an object of dangerous fixation.

"Like so much of Scorsese’s better received work, THE COLOR OF MONEY is obsessed with convention: etiquette, strata… twitter.com/i/web/status/15985…
About 12 hours ago

Twitter
Patreon
Letterboxd

Contributor Login
Privacy Policy
Terms of Service
DMCA

Home
About
Issues
Podcast
Films
Contributors
Submissions
Subscribe

Home
About
Issues
Podcast
Films
Contributors
Submissions
Subscribe

Start typing to see results or hit ESC to close

See all results

We are using cookies to give you the best experience on our website.

You can find out more about which cookies we are using or switch them off in settings.

Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.

Strictly Necessary Cookies

Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.

Enable or Disable Cookies

If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again.

Cookie Policy

This website uses Pico to reflect your current subscription status, as well as keep you logged in. Leaving this enabled will mean that you don't need to log in each time you access this website to unlock articles.

This website cookies from Jetpack, a site statistics platform provided by Wordpress. It lets us track traffic to different pages on the site, as well as other anonymous user data like geolocation, browsing habits and referral keywords. Leaving this enabled allows us to improve our website and tailor it to your preferences.