What Can We Forgive?Tyler Malone·Issue 70: Going LongMagnolia is messy, grandiose, ostentatious, overambitious, and overwhelming—or, in the words of its auteur “it’s too fucking long...it’s all just too fucking ‘too.’” It also happens to be my favorite film. Read More
A Film in a Minor KeyAndrew Root·Issue 11: The Magnificent AndersonsWhen I think about Magnolia, I first think about the cosmic improbability of the relationships featured therein. Read More
