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Sorcerer

No Way To Managua: Bridging the Forces of Fate and Identity in William Friedkin’s Sorcerer

Travis Woods·
Issue 71: Resilience
Sorcerer (1977) | art by Tony Stella
Obsessed with manifesting Sorcerer’s message on film, Friedkin failed to see he was living that very message during its sanity-snapping production: that which is behind us cannot be returned to. All one can do is persevere for as long as possible into the fates that our pasts have shaped for us. Read More

Apocalypse Now: How ‘Sorcerer’ Proves That the World Already Ended

Christopher Cantwell·
Issue 12: The End of the World
The world as a whole ended a long time ago. This is Purgatory. Read More

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