Spring Breakers can still be enjoyed as a pure hallucinatory trip, devoid of any real-world relevance. But looks are deceiving, even limiting.
Harmony Korine's Spring Breakers is To the Wonder’s shadow, its doppelganger, its evil twin, and perhaps its better half. It’s Malick through the looking glass.
It’s a lustful, even pervy, gaze, but director Harmony Korine invites his audience to share it before he deconstructs it.
