On Junior (1994) and Titane (2021) as frames to talk about a fear of pregnancy.
Undoubtedly, Julia Ducournau’s films are so titillating because they present body horror as an almost exclusively female enterprise; the violent perpetrators are female, the gaze is female, the classic sense of dread centers around aspects of the female experience.
As I walked up the steps to the Walter Reade theater, I couldn’t help but feel a sense of triumph, my first day back on campus. Everyone was there! In line, tired, clutching cheap coffee and festival badges. Some people got haircuts. Even the grumps were buzzing, happy to finally have some place to be.