The studied cool facades Hal Hartley’s characters put on, the way they almost play-act being criminals, the romantic fatalism that drives both the overarching narrative and the characters themselves: These are all elements that would make just as much sense in a Godard or Truffaut joint as they would in a ‘90s American indie film.
Privacy Overview
This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.