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Nausicaä of the Valley of the Wind

Coming from a Place: Community in the Films of Hayao Miyazaki

Amber Sparks·
Issue 140: Community
Community isn’t just for comfort in Miyazaki’s world—it serves an important function as a hallmark of interdependence, a vital theme in most of his films. Miyazaki is deeply concerned with how humans, animals, spirits, and the natural world can live in balance with one another, or at least strive to.
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We Must All Be Heroes: On Hope for Climate Justice in Nausicaä of the Valley of the Wind

Farah Ghafoor·
Issue 88: Justice
Nausicaä of the Valley of the Wind (1984) | Studio Ghibli
Nausicaä is a hero, but it’s not enough to want her to lead us, or to wait for her to save us. We must become her.
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Nothing to Fear

Sarah Welch-Larson·
Issue 45: Studio Ghibli
Nausicaä of the Valley of the Wind is not, perhaps, Miyazaki’s best movie, but it is his most earnest and original; a declaration of ideals that his later movies will refine.
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