Community isn’t just for comfort in Miyazaki’s world—it serves an important function as a hallmark of interdependence, a vital theme in most of his films. Miyazaki is deeply concerned with how humans, animals, spirits, and the natural world can live in balance with one another, or at least strive to.
Nausicaä is a hero, but it’s not enough to want her to lead us, or to wait for her to save us. We must become her.
Nausicaä of the Valley of the Wind is not, perhaps, Miyazaki’s best movie, but it is his most earnest and original; a declaration of ideals that his later movies will refine.



