In George Washington, David Gordon Green uses time the way a painter might use negative space—he shapes our understanding of what we’re seeing, not through a series of plot points, but by giving us moments that, taken alone, seem random or incidental.
Privacy Overview
This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.