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Issue 64: The Uncanny

October 2018

The Double Life

Karina Wolf·
Issue 64: The Uncanny
The question of Nocturnal Animals, with its parallel narratives that never quite connect, becomes: what is the urgency of a story in which its greatest violence is called out as fiction?
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A painting based on the movie Crimson Peak by artist Tony Stella

A Story With a Ghost in It: On Family, Trauma, and Hope in Crimson Peak

Kate Horowitz·
Issue 64: The Uncanny
Guillermo del Toro's Crimson Peak isn’t really a story about ghosts. It’s about learning to listen to them.
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