The visuals in Yolanda and the Thief take explicit inspiration from the surrealist landscapes of Salvador Dalí, and while it isn’t the most successful of Vincente Minnelli’s celebrated musicals, it is perhaps the most experimental—and, for me an object of fascination.
The question of Nocturnal Animals, with its parallel narratives that never quite connect, becomes: what is the urgency of a story in which its greatest violence is called out as fiction?
In making the strange, familiar (and the familiar, strange), Gattaca forces us to reckon with our own humanity and mortality—and the fact that time is coming for us all.
Stoker is a film about a girl walking the tight ledge between childhood and adulthood, and trying to construct an identity amidst the chaos.
When your body betrays you, who do you become?
In our apartments, we can let our guard down, be ourselves. How unnerving then, to realize you were never really safe there—that what you thought was a wall was a door all along.
A Serious Man isn't just a more personal Coen Brothers film; it is the personal Coen Brothers film, an investigation into their own heritage and what it means to be Jewish in mid-century America.
Though disguised as a neo-noir, in many ways Minority Report is really a sci-fi allegory about how corrupt systems thrive through the subjugation of women, the exploitation and dismissal of their pain, and the underestimation of their emotions and abilities.
Jonathan Glazer's 2004 film, Birth, is a meticulously composed film about falling apart.
Practical Magic is finest in the moments it elevates the raucous comedies and petty dramas of siblinghood into the heightened life and death stakes of witches in peril.
Based on John Cheever’s slippery fever dream of a short story, The Swimmer faithfully translates and expands Cheever’s 12 pages of suburban surrealism into a feature-length nightmare of masculine panic.
The Killing of a Sacred Deer provides a deceitfully complex look at a brand of nihilism often adopted by the upper-middle class, used to deflect the threat of domestic banality or subdue emotional threats.












