Whenever I speak about The Clock, the first, inevitable question I’m asked is ‘How?’ followed almost immediately by ‘Why?’ It’s impossible to discuss the work without thinking about it mechanically and logistically. How do you make a 24-hour movie? How could anyone physically watch a 24-hour movie? How could they manage, especially under these very particular circumstances of admission?
PositionFrequent Contributor
JoinedDecember 18, 2020
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B.C. Wallin is a writer, a reader, a cultural critic, an enthusiast of the particular. He lives in New York with his family.
In the Wachowskis’ earnest work, Speed Racer valorizes a supportive family—especially one so cobbled-together—just as much as it celebrates acts of love and a true love of art.
In 2017, I saw or listened to the movie Steve Jobs some 20 or 30 times.
As my favorite Fiddler on the Roof song says, “Many times, many men, took our homes, took our lives. Kings they were, gone they are. We’re still here!” We are still here—that’s our gam zu l’tovah.
I remember The Grand Budapest Hotel, and I remember those swirling lights and the clutched breath and the deep longing. I think about this frame of Agatha, frozen in time, holding her lover’s gaze—holding our gaze—as the darkness briefly clouds her face.





