David Robert Mitchell's It Follows makes paranoid subjects of us all.
JoinedMay 27, 2017
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Joel Blackledge is a writer and filmmaker based in London. He watches a lot of arthouse movies but mostly talks about Buffy the Vampire Slayer.
By looking at illness for what it is in Todd Haynes' Safe, we begin to uncover the true terror of this masterpiece.
The unconvincing movie drunks, which range from forgettable to excruciating, are too many to number. But the few great drunk performances are worth interrogating, to uncover what they might tell us about drinking and being drunk.
Window Water Baby Moving is a process of using the camera as a transformative tool to not only replicate but engage with and reshape how we see.
Tsai Ming-liang seems to make his films not only about but with desire, a material as integral to their construction as celluloid and light.
On male friendship in Kelly Reichardt’s Old Joy
Spielberg’s dystopian vision in A.I. retains a sincere humanity at its heart, even while acknowledging that that heart isn’t beating.
