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Issue 2: Surreal

July 2013

Letter from the Editor

Chad Perman·
Issue 2: Surreal
There’s an old adage in the music industry that a band has a lifetime to write, assemble, and record songs for its very first record, but only a handful of months to put together its second. Read More

Too Insidery?

Sarah Malone·
Issue 2: Surreal
In Being John Malkovich, the appearance of things working out or making sense is a signal to be uneasy. Read More

The Universe Constantly

Elizabeth Cantwell·
Issue 2: Surreal
On Upstream Color: I see you. Do you see me. Read More

A Tourist With a Typewriter

Stephen Sparks·
Issue 2: Surreal
A film as ambiguous as Barton Fink invites multiple readings. Read More

Home

Amelia Gray·
Issue 2: Surreal
On Homeland: Of what does Sergeant Nicholas Brody dream? Read More

Goats and Monkeys

Patrick Vickers·
Issue 2: Surreal
Eyes Wide Shut is the cinematic equivalent of a premeditated coitus interruptus. Read More

Something is Missing

Letitia Trent·
Issue 2: Surreal
To the Wonder shows Oklahoma in the ways I’ve learned to see it in the decade since I’ve left—beautiful, expansive, and empty. Read More

A Wilderness of Tigers

Andrew Root·
Issue 2: Surreal
What is most enticing about Julie Taymor's Titus is the images, even without context. Read More

Haunted Blondes

Gray Hendryx·
Issue 2: Surreal
Few films have slipped so entirely under my skin—and changed the way I experience the world—as Picnic at Hanging Rock. Read More

I Think I Cannes

Matt Patches·
FestivalsIssue 2: Surreal
You adjust the bowtie on your tuxedo. I’m at Cannes, a fucking dream come true. Read More

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