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Issue 30: Alfred Hitchcock

November 2015

Letter from the Editor

Chad Perman·
Issue 30: Alfred Hitchcock
A movie lover always remembers their first Hitchcock.
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Possessed

Lauren Wilford·
Issue 30: Alfred Hitchcock
To experience Vertigo through the eyes of its female lead, Judy Barton, what once was a mystery becomes a horror film, a story of anxiety so profound it approaches body horror.
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Spies Like Us

Karina Wolf·
Issue 30: Alfred Hitchcock
As a director, Hitchcock liked to toy with certainties—emotional, sensory, and moral—and perhaps the smartest dramaturgical tack he takes in Notorious is to make Ingrid Bergman a fallen woman.
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Drink and a Movie: The Birds

Alissa Wilkinson·
ColumnsIssue 30: Alfred Hitchcock
Alissa invites you try a Bodega Bay, a twist on the old Blood and Sand.
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Murder Wet from Press

Patrick Vickers·
Issue 30: Alfred Hitchcock
Alfred Hitchcock’s The Lodger: A Tale of the London Fog was not the director’s first film, but it's now widely regarded as his first serious thriller—the one which marked him out as a director of singular talent and vision.
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Two Thrills

Michael Ryan·
Issue 30: Alfred Hitchcock
The 39 Steps not so much argues for but enacts another way of seeing things, another view of life: ironic, light, funny, and uncharacteristically benign for Hitchcock.
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Tracing Time Without a Clock

Eloise Ross·
Issue 30: Alfred Hitchcock
Rope is not a murder mystery in the traditional sense, but it’s an incredibly suspenseful experience; without traditional editing, its camera movement becomes a source of mystery.
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Psychos

Tyler Banks·
Issue 30: Alfred Hitchcock
On Hitchcock's Psycho, Van Sant's Psycho, and Soderbergh's Psychos
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The Things That Spell San Francisco To Me Are Disappearing Fast

Sonya Redi·
Issue 30: Alfred Hitchcock
I would like to capture a few of Vertigo's impossible memories for myself, to stalk the film's locations and see what has been altered. Are you ready for a drive?
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Criss-Cross

Arielle Greenberg·
Issue 30: Alfred Hitchcock
Strangers on a Train (1951)
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  • "THE FABELMANS is not a coming-of-age story. There is no answer. It isn’t a parable or lesson or meditation. Instea… twitter.com/i/web/status/16395…

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