The Coen Brothers' Hail, Caesar! is a movie about movies.
Miller’s Crossing is a tribute film, a mafia movie made of noir’s most elegant frames: Scarface, The Conformist, Le Samourai, and The Godfather refashioned in the brothers’ comically bloody hand.
So many great people’s words have changed my life, and perhaps now mine will change yours.
The Coen Brothers, who have been making movies for over thirty years now, are master craftsman; say what you will about the many films they’ve made, but each has an unmistakable, distinctive authorial beat.
What does it mean to be a good person? Is it a small thing, or is it big? Is it enough to try?
There is only one appropriate drink to accompany a much-deserved rewatch of Inside Llewyn Davis, especially if existing feels rough and you need something a bit stronger than a good night’s sleep.
More interested in mise-en-scene than humanity, Blood Simple is a damn good thesis project that mostly succeeds.
A film as ambiguous as Barton Fink invites multiple readings.
Donny is by no means The Big Lebowski’s most important character. It’s the Dude’s movie—but Donny’s purpose is to give the film its heart.
