Ozu's Tokyo Story has only grown in esteem since its relatively unheralded release, revealing itself in time as not only a beautiful film but an emotionally unrelenting and endlessly resonating one as well.
JoinedMay 28, 2017
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Michelle Said was one of the original editors of Bright Wall/Dark Room, and later served as its first podcast host. She currently freelances and works on her novel in New York.
Like any great piece of art, Amadeus makes us recognize and confront our own foibles and flaws.
Janet Livermore works in a coffee shop in Seattle. Not a “diner-coffee shop” like you’d see in a Quentin Tarantino...
What Dr. Strangelove teaches us about doomsday.
The Grand Budapest Hotel is a live-action cartoon, and I say that with the utmost respect.
I kept turning Frozen over in my brain after watching it, trying to figure out why it had resonated with me so deeply.
Sideways reminds us that every day there is a choice: remain stuck in the false allure of the past or embrace the truth of the present.
Murphy Brown’s red blazer. Mary Tyler Moore’s beret. Hildy Johnson’s chevron striped coat with matching hat...
