Despite traces of his legacy in notable contemporary filmmakers, Mitchell Leisen’s legacy is still small in comparison to his ability. If his collaborative working methods and aesthetically oriented, implicitly queer style have marginalized his body of work, then there is value in reclaiming the best of them as important, unique films in cinematic history.
JoinedFebruary 25, 2021
Articles4
Robert Stinner is a queer, Washington, D.C.-based writer of essays, criticism, and fiction. His writing has appeared in publications including Electric Literature, Literary Hub, Animus Magazine, and CrimeReads.
The Hours suggested to me that queerness could be fluid, mysterious, neither hidden nor announced.
While fictionalized accounts of rock stars' sex lives and personal relationships are often sensational, The Hours and Times distinguishes itself as a small-scale, conversational film, one that centralizes an ambiguous relationship.
The yearning and ecstatic hope of Stephen Sondheim’s songs in Evening Primrose creates a narrative and an aesthetic that is, to my eyes, distinctly queer.




