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Issue 109: Voyeur

July 2022

We Never Leave That Room

Travis Woods·
Issue 109: Voyeur
David Cronenberg's Videodrome is a contradictorily compact cinematic expanse of carnality and carnage.
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Episode #14: The Conversation (1974)

Bright Wall/Dark Room·
Issue 109: VoyeurPodcast
This month on the show we’re talking one-on-one about Francis Ford Coppola’s The Conversation through the lenses of surveillance and seclusion, Gene Hackman and Walter Murch, Catholic guilt and cool jazz.
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The Great Escape: On the Moment That Came to Shape The Bachelor Forever

Catherine Horowitz·
Issue 109: Voyeur
It’s a dark November night, and Colton Underwood has finally escaped The Bachelor. Bachelor Nation would never be the same.
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Mommy Dearest

Ursula Munoz-Schaefer·
Issue 109: Voyeur
On the spectatorship of Psycho and Santa Sangre, and queer people’s relationship to horror.
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Steven Soderbergh’s KIMI: Seattle as a Panoptic Playground

Jason Baxter·
Issue 109: Voyeur
Steven Soderbergh’s KIMI gives voice to universal anxieties around modern technology with alarming accuracy.
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The Loneliest Audience in The Lives of Others

Catherine Ellsberg·
Issue 109: Voyeur
We can’t help but look and listen. Yet what if it were not a burden, but even a call for self-reflection and an incitement to change?
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Watching

Ethan Warren·
Issue 109: Voyeur
A movie as dense and deep as Adaptation offers a communal awakening, one that ideally leads to new insights on the human capacity for thought and emotion.
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You Think I Can’t See You for Who You Really Are?

Sarah Welch-Larson·
Issue 109: Voyeur
It’s no secret that Drew Goddard is interested in stories about characters watching and being watched by other people. Bad Times at the El Royale takes this fascination and folds it into the very walls of the titular hotel.
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