We’ve got a wonderful grab bag of cinematic ephemera for you this month.
Yet, what if the bomb was buried and detonated over a mile beneath the earth, thirty miles from your family's home, two and half months before your birth?
A Very Long Engagement is a fable about grief and young love.
To categorize A Zed and Two Noughts as any kind of meditation on grief would be to discount the way that Greenaway holds his characters at a physical and emotional remove
A grapefruit is never dull; on the contrary, it’s often the center of attention.
"Don’t mind the cameras till you to talk to them."
White feels like the afterimage of a comedy, a funny movie whose characters seem to fall through its sheer absence of jokes, into ambiguous and oblique gaps.
Desperately Seeking Susan is a movie about iconography as a narrative strategy, as a cinematic device, as the foundation of an artistic career.
The truth is, like Keanu Reeves, accents don’t inherently make a story or character more convincing just because they’re there.
Each scene in The Holy Mountain was staged as symbol in and of itself—and they came at me in a ceaseless barrage.
In Knick, the body is mystery meat. Squelching and sticky, it has a reality that repels abstraction and houses a dark disorder that wrecks any pretensions to mastery.
